by Brian Surber
The thing missing from horror films is a human element. There are humans in it, to be sure, but they aren’t real. Most of the time characters in (bad) horror films are not fleshed out. They have one or two basic motives and they don’t stretch beyond what is needed of them as pawns. There can be and have been great horror films with characters that aren’t very interesting; The House of the Devil and Saw come to mind. Those films achieve their “greatness” status based on their technical artistic achievements. The Babadook, directed with gusto by newcomer Jennifer Kent, is so deeply rooted in character interest that it is elevated from not only the best horror film of the year but one of the best films of the year.
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